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Despite assurances from the White House that operations are running smoothly at Washington, D.C.’s Kennedy Center, a growing wave of canceled performances suggests otherwise.
Oscar-winning Wicked composer and lyricist Stephen Schwartz became the latest high-profile artist to distance himself from the venue. In a January 1 article for Newsday, Schwartz said the Kennedy Center no longer reflects its founding mission as a politically neutral space for artistic expression. Schwartz, who had been scheduled to participate in a Washington National Opera gala on May 16, 2026, said he would not take part under the current circumstances.
His remarks follow major leadership changes at the Kennedy Center after Donald Trump reshaped the institution’s board, replacing its traditionally bipartisan structure with political allies and later being named chairman. Trump also broke with tradition by hosting the Kennedy Center Honors while still in office and having his name added to the building — a move that has raised legal questions, as federal law requires congressional approval for any official name change.
Schwartz is not alone. Over the past year, numerous artists and organizations — including Issa Rae, Rhiannon Giddens, Low Cut Connie, and the creative team behind Hamilton — have withdrawn from scheduled appearances. Prominent figures such as Ben Folds, Shonda Rhimes, and Renée Fleming have also stepped down from advisory roles.
More cancellations followed in recent weeks, with jazz musicians, dance companies, and touring acts pulling out of 2026 performances. Interim executive director Richard Grenell has criticized the withdrawals and threatened legal action against at least one performer, accusing artists of politicizing the arts.
Meanwhile, the White House pushed back against reports that the most recent Kennedy Center Honors broadcast suffered a ratings drop, disputing claims of underperformance despite data showing a year-over-year decline.
As cancellations continue, debate over the Kennedy Center’s future — and its role as a national cultural institution — remains unresolved.
SOURCE: Billboard